Poised to fulfil its mandate
The Guyana Music Teachers Association By Cecilia McAlmont
Guyana Chronicle
April 30, 2000
ON WEDNESDAY, April 19, 2000, the Guyana Music Teachers Association held its 52nd Annual
General Meeting only weeks after the death of its long-standing president and one of its
founder members, Ms Lynette Dolphin.
The mantle of leadership has been passed to another stalwart in the field of music and former
colleague of hers, Mr William A.R. (better known as Bill) Pilgrim. Both of them were among the
first two pupils of the first president of the association.
The inaugural meeting of the then British Guiana Music Teachers Association was held at the
home of Ms Lynette Dolphin on April 7, 1948, and was attended by 14 music teachers.
Ms Dolphin, the convenor, stated that the meeting had been called for the purpose of
inaugurating a Music Teachers Association. Teachers who had entered a fair number of candidates
for the Associated Board Examination, had been invited as a representative body, to form the
nucleus of the Association. Later, all music teachers were invited to become members.
At that first meeting, the following committee was proposed and unanimously accepted: Mrs
Eleanor Kerry (President), Ms Winifred McDavid (Vice-President), Ms Lynette Dolphin
(Secretary), Ms Clothide Casey (Treasurer). The committee members were Mrs Edna Jordan, Mrs
Miriam Daniels and Mr Peter Koulen.
The following were agreed upon as the aims of the Association:
a) To enlarge and improve the knowledge of music of its members and to stimulate their interest
in every branch of musical development;
b) To promote discussion on matters of interest to music teachers, and to make united
representation in any matter affecting the teaching of music in this country.
c) To keep abreast of current musical events and modern methods of teaching;
d) To undertake any other activity for the betterment of the association.
The British Council representative had been asked and granted permission for the monthly
meeting of the Association to be held at his Robb Street office, where adequate seating and
equipment for film shows and gramophone concerts were available.
As a result, the British Council was host to the Association on the second Wednesday of each
month for nearly 12 years. The link was maintained through the provision of a monthly magazine,
`The Music Teacher' which was described as the Bible of modern music teaching.
In December, 1950, the Association was registered as a Specially Authorised Society under the
Friendly Societies Ordinance. After independence in 1966, the registration was amended to `the
Guyana Music Teachers Association'. In 1993, the Ministry of Finance granted the status of a
`Charitable Organisation' to the Association.
Then as now, the Association's goal was to gain access to the most up-to-date and relevant
information regarding the teaching of music, instrumental and vocal, for individuals and for
schools, especially as it related to the world-wide examinations of the Associated Board of the
Royal Schools of Music and the Trinity College of Music.
The Association's membership was made up of teachers with experience and others with no
experience in the correct interpretation of the examination syllabus. Therefore, besides the
sharing of knowledge among its members, the Association provided a forum where visiting
musicians could present workshops, discussions and performances to the local teachers and their
senior pupils.
In addition, there were illustrated lectures by qualified local musicians, as well as
gramophone concerts and film shows. An annual `Members Night' was introduced where every member
was required to contribute an item to the programme. Consequently, every teacher was featured
as a performer at least once in each year.
The Association not only promoted and sponsored local concerts, but also collaborated with
Embassies and High Commissions to bring celebrated international performers to Guyana, many of
whom held workshops for local musicians. Additionally, programmes on various aspects of music
were presented by Guyanese professional musicians. These included Ray Luck, Francis Leach, Hugh
Sam and Moses Telford.
In those early years too, individual music teachers contributed solos and concertos in the
biennial concerts of the Princesville Orchestra, conducted by Mr Francis Loncke, the Georgetown
Philharmonic Orchestra, conducted by Major S.W. Henwood. Among the soloists were Eleanor Kerry,
Joyce Aaron, Lynette Dolphin, Eileen Rogers, Vincent De Abreu, Joycelyne Loncke and Valerie
Rodway.
Like almost every other organisation in Guyana, the fortunes of the Guyana Music Teachers
Association have waxed and waned in response to the circumstances prevailing in the country.
However, during the lean years of the late 70s and early 80s, the Association was able to
benefit under the many Cultural Agreements which Guyana signed with Soviet bloc countries.
Several of its members went on exchange visits to cities like Moscow and Havana where they
shared their own knowledge and on their return shared their experiences which helped to enrich
the Association's offerings to its membership.
One of the major achievements of the Association, was its contribution to the British Guiana
Music festival. This became the Guyana Music Festival after independence. This festival was
held biennially between 1952 and 1973, after which the deteriorating situation in the country
forced its suspension. However, since 1994, the Woodside Choir has reorganised and sponsored
it.
The most significant project of the Association is the annual production since 1985, of Young
Musicians on Stage, held at the National Cultural Centre. These concerts consist mainly of
performances by the most successful students at the current music examinations, with the
addition of other groups of outstanding young performers from the primary and secondary
schools.
Each year, recognition in the form of music awards is given to both teacher and students who do
well at the various examinations. The most prestigious has been the Philip Pilgrim Memorial
Harp awarded in memory of the gifted pianist and composer, Philip Pilgrim, best remembered for
his grand choral setting of A.J. Seymour's `The Legend of Kaieteur'. It was first awarded in
1947 to a candidate who passed in Grades 6 to Diploma of the Associated Board's Examination and
who, in the examiner's opinion, possesses outstanding musicianship.
Some of the winners included Malcolm De Freitas, Edith Pieters, Norman Ramalho, Joycelyne,
Patricia, John and Paul Loncke, Ray and Janet Luck and Aubrey and Avis Joseph and Rosemary
Ramdeholl.
Other awards include: The Clara Burrowes Memorial trophy for the most outstanding pupil in
Grades 1 to 3, the Orin Barrow Trophy for Young Musicians, Grades 4 and 5, and the Edna Jordan
trophy for Theory of Music Grades 4 and over.
There are also annual awards given by the Association - Junior Pupil's and Teacher's prizes in
Grades 1 and 5, and Senior Pupil's and Teacher's prizes in Grades 6 to 8.
The Association is funded mainly by the very modest yearly dues paid by its members, profits
from its annual production of Young Musicians on Stage, generous donations in cash and kind
from its local and overseas members and organisations and individuals from both the public and
private sectors.
In recent years in particular, the Association has only been able to maintain the annual
examinations which is conducted by an examiner from the Associated Board of the Royal School of
Music, through the generous donations for the cost of airfare and accommodation by members of
the private sector.
The membership of the Association which has averaged about 50, is drawn from Georgetown,
Linden, Bartica, West Coast Demerara and Berbice.
The limited scope of its membership is due mainly to the fact that because of its purpose, it
would only have members in those regions where music is taught in schools. Unfortunately, in
too many of our schools, there is hardly enough resources to teach the basic three Rs, much
more music.
However, members of the Association have given community service through assisting schools with
their musical performances, training school and church choirs and providing music, in many
cases original compositions, for many groups and institutions.
As part of its Golden Jubilee celebrations in April 1998, the Guyana Music Teachers Association
commissioned Mr Francis O. Leach, Professor of Music at Delta State University in Cleveland
Mississippi, to forecast where music was heading in the millennium. Among other things, he
stated that today, students would much prefer to spend their time on a computer experimenting,
playing video games, writing research papers and letters, and composing for all media with the
help of the computer.
He warned that if Art Music is to be saved, at least until another J.S. Bach, Beethoven, W.
Mozart and E. Chopin appear, then it is necessary not only for musical training to start in the
public schools, but also for teachers of music to be well qualified in every facet of music.
In Guyana, in response to developments in the content as well as the method of music teaching,
some teachers of the younger generation have introduced the new techniques using keyboards and
computers, with the teacher operating from the main console.
The music coordinator in the Ministry of Education worked with the CXC Music Panel for two
years and prepared a syllabus. The pilot examinations were held in 1999. Also, since late 1999,
the Ministry has also employed a highly experienced music teacher to resuscitate the teaching
of music throughout the country. To this end, a seminar was recently held for teachers of
music.
If this and other relevant initiatives continue, then the Guyana Music Teachers Association
will be poised to fulfil its mandate in the foreseeable future.
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